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Get Lucky
5.0 out of 5 stars
Mysterious lyrics and moody melodies by an ultra-talented guitar and songwriting legend.
Reviewed in the United States on August 28, 2019
If you didn’t already know who Mark Knopfler was, you’d be puzzled by the song selections and stylizations on this 2009 album, Get Lucky. That is to say, if you somehow failed to experience the 1980s or never knew about Mark’s major hits while fronting the rock band, Dire Straits. Maybe then you’d wonder: who is this guy? And what’s he doing writing songs about trucks, guns, gambling, guitars, and dead Scottish bagpipers? Who using lines like “It’s time to make sawdust” in a song, unless you’re composing it for a PBS carpentry series? And don’t get started on a song about a freighter being broken down for scrap metal and parts in South Asia. Or English fruit pickers and other itinerant workers recalling life in the 50s and 60s, when you could hitchhike for free and hardly give it a second thought. Who is this guy? Woody Guthrie?But then it dawns on you. This guy, this Mark Knopfler, the dude can play. And he’s got some powerfully big magic with them words. And he has a knack for playing with a bunch of awfully fine musicians. And composers. And even a children’s choir on one track (“Remembrance Day”). What’s his deal? Is he a Scotsman? And English singer-songwriter? A fan of American blues and jazz? A guitar guru who’s got a lifelong obsession with Las Vegas? And cars. Lots of cars. Old ones, especially if they’re either fast or super-duper dependable. Hmm … Maybe there is more to this Mark guy than you initially thought.Indeed, there is. While any of Mark Knopfler’s solo albums are worth listening to – often and at various times of day and year – Get Lucky is noteworthy for its consistency and its light-hearted introspection. Plus, it contains a one-page essay by Mark in the CD liner notes that explains the inspiration for several of the songs on the album, which is a rare thing for such an introverted artist who tends to let his lyrics and guitar playing speak for him. There isn’t a single song that leaps over all the others, although I dare you to listen to “So Far from the Clyde” without tearing up a little. The Clyde is a river in Scotland that reaches the sea near Glasgow, which historically was a major ship-building port until its factories were challenged by completion from East Asia. There isn’t much in way of venom here, just sadness at how such a noble piece of craftsmanship is left to die unheralded far from its ancestral home. There are other deaths hinted at on the album, and definitely a lot of backward looking at old ways now long gone. Not typically rock and roll themes, for certain, but deeply human ones. And that, in the end, is why Get Lucky makes me, as a listener, feel genuinely blessed to have acquired a copy for my music collection. I hope you will soon feel the same way!
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Top reviews from the United States
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Reviewed in the United States 🇺🇸 on August 28, 2019
If you didn’t already know who Mark Knopfler was, you’d be puzzled by the song selections and stylizations on this 2009 album, Get Lucky. That is to say, if you somehow failed to experience the 1980s or never knew about Mark’s major hits while fronting the rock band, Dire Straits. Maybe then you’d wonder: who is this guy? And what’s he doing writing songs about trucks, guns, gambling, guitars, and dead Scottish bagpipers? Who using lines like “It’s time to make sawdust” in a song, unless you’re composing it for a PBS carpentry series? And don’t get started on a song about a freighter being broken down for scrap metal and parts in South Asia. Or English fruit pickers and other itinerant workers recalling life in the 50s and 60s, when you could hitchhike for free and hardly give it a second thought. Who is this guy? Woody Guthrie?
But then it dawns on you. This guy, this Mark Knopfler, the dude can play. And he’s got some powerfully big magic with them words. And he has a knack for playing with a bunch of awfully fine musicians. And composers. And even a children’s choir on one track (“Remembrance Day”). What’s his deal? Is he a Scotsman? And English singer-songwriter? A fan of American blues and jazz? A guitar guru who’s got a lifelong obsession with Las Vegas? And cars. Lots of cars. Old ones, especially if they’re either fast or super-duper dependable. Hmm … Maybe there is more to this Mark guy than you initially thought.
Indeed, there is. While any of Mark Knopfler’s solo albums are worth listening to – often and at various times of day and year – Get Lucky is noteworthy for its consistency and its light-hearted introspection. Plus, it contains a one-page essay by Mark in the CD liner notes that explains the inspiration for several of the songs on the album, which is a rare thing for such an introverted artist who tends to let his lyrics and guitar playing speak for him. There isn’t a single song that leaps over all the others, although I dare you to listen to “So Far from the Clyde” without tearing up a little. The Clyde is a river in Scotland that reaches the sea near Glasgow, which historically was a major ship-building port until its factories were challenged by completion from East Asia. There isn’t much in way of venom here, just sadness at how such a noble piece of craftsmanship is left to die unheralded far from its ancestral home. There are other deaths hinted at on the album, and definitely a lot of backward looking at old ways now long gone. Not typically rock and roll themes, for certain, but deeply human ones. And that, in the end, is why Get Lucky makes me, as a listener, feel genuinely blessed to have acquired a copy for my music collection. I hope you will soon feel the same way!
5.0 out of 5 stars
Mysterious lyrics and moody melodies by an ultra-talented guitar and songwriting legend.
Reviewed in the United States 🇺🇸 on August 28, 2019
If you didn’t already know who Mark Knopfler was, you’d be puzzled by the song selections and stylizations on this 2009 album, Get Lucky. That is to say, if you somehow failed to experience the 1980s or never knew about Mark’s major hits while fronting the rock band, Dire Straits. Maybe then you’d wonder: who is this guy? And what’s he doing writing songs about trucks, guns, gambling, guitars, and dead Scottish bagpipers? Who using lines like “It’s time to make sawdust” in a song, unless you’re composing it for a PBS carpentry series? And don’t get started on a song about a freighter being broken down for scrap metal and parts in South Asia. Or English fruit pickers and other itinerant workers recalling life in the 50s and 60s, when you could hitchhike for free and hardly give it a second thought. Who is this guy? Woody Guthrie?
But then it dawns on you. This guy, this Mark Knopfler, the dude can play. And he’s got some powerfully big magic with them words. And he has a knack for playing with a bunch of awfully fine musicians. And composers. And even a children’s choir on one track (“Remembrance Day”). What’s his deal? Is he a Scotsman? And English singer-songwriter? A fan of American blues and jazz? A guitar guru who’s got a lifelong obsession with Las Vegas? And cars. Lots of cars. Old ones, especially if they’re either fast or super-duper dependable. Hmm … Maybe there is more to this Mark guy than you initially thought.
Indeed, there is. While any of Mark Knopfler’s solo albums are worth listening to – often and at various times of day and year – Get Lucky is noteworthy for its consistency and its light-hearted introspection. Plus, it contains a one-page essay by Mark in the CD liner notes that explains the inspiration for several of the songs on the album, which is a rare thing for such an introverted artist who tends to let his lyrics and guitar playing speak for him. There isn’t a single song that leaps over all the others, although I dare you to listen to “So Far from the Clyde” without tearing up a little. The Clyde is a river in Scotland that reaches the sea near Glasgow, which historically was a major ship-building port until its factories were challenged by completion from East Asia. There isn’t much in way of venom here, just sadness at how such a noble piece of craftsmanship is left to die unheralded far from its ancestral home. There are other deaths hinted at on the album, and definitely a lot of backward looking at old ways now long gone. Not typically rock and roll themes, for certain, but deeply human ones. And that, in the end, is why Get Lucky makes me, as a listener, feel genuinely blessed to have acquired a copy for my music collection. I hope you will soon feel the same way!
Reviewed in the United States 🇺🇸 on October 26, 2022
Delivered ahead of time and item was as described looks brand new thanks for note to enjoy I will !!!
Reviewed in the United States 🇺🇸 on September 24, 2009
If popular music is, for us, what poetry was for the Victorians, Knopfler is our Robert Browning. It’s hard not to draw parallels between Browning’s dramatic monologues, which could delineate the character of a hero or a villain in a few dozen lines, with Knopfler’s songs — which do the same, often with more delicacy and indirection than Browning could muster.
This album is, in my estimation, better than either Kill to Get Crimson or Shangri La, both of which I love. It subsumes what Knopfler did on those albums, pulls in what was transcendent about The Ragpicker’s Dream, as well as pointing backward to other Knopfler gems, like the soundtrack to Local Hero and to Golden Heart, which doesn’t get the airplay it deserves, even from Knopfler fans.
On this album, you get a bit of every Knopfler we know and love.
If you are the king of Knopfler fan who gravitates to, say, 5:15 AM, you have Remembrance Day to wash over you.
If you loved Why Aye Man, Knopfler’s given you the another piece of that mosaic, with So Far From The Clyde.
If you liked the grit of anything on The Ragpicker’s Dream, there’s Before Gas and TV — the latest in the “faustian compact with civilization” theme that runs through Knopfler’s body of work.
If you dug The Scaffolder’s Wife, Hard Shoulder (my favorite on this album) is going to give you shivers — and make you think, interestingly enough, about Elvis Costello’s best lyrics, despite the musical differences, and (I’ll bet) Burt Bacharach.
If you think Song for Sonny Liston is Knopfler at his best, then you’ve got You Can’t Beat The House, this time out.
Monteleone and The Car Was The One are wonderful — a glimpse (something we rarely get) into Knopfler’s own imagination, into what he values.
And what unites this album is what always pulls Knopfler’s work together: the peculiar beauties of his voice, and the immaculate, thrilling voice of his guitar.
Bottom line: his best in years. Better range, better depth, better, better, better.
Buy 10 copies. Hand them out to your friends who can still remember how Sultans of Swing turned their worlds upside down, and let them remember — and look forward.
Top reviews from other countries
4.0 out of 5 stars
Wonderfully wistful vignettes … but why so sad?
Reviewed in the United Kingdom 🇬🇧 on July 3, 2012
As I go through my music collection, it strikes me that I haven’t played this CD for ages. I remember liking it when I first got it, although the resolutely mellow, vintage bias of most tracks surprised me. The sound quality is superb (as you would expect from the owner of a prize-winning recording studio); the musicianship is world-class, from a cohesive, dedicated band who totally support the concept of this album; the lyrics are, as usual, original and wonderfully evocative as Knopfler continues to show us his mastery at the art of painting a picture with poetic lyrics, mood-appropriate instruments, musical phrases and aural landscapes; Mark’s voice is beautifully showcased with its mellow baritone intonation producing a lullaby effect and every nuance clearly audible, enhancing the intimate quality of the production.
My favourite tracks: Border Reiver (a Celtic pastoral idyll burst open by the up-tempo wanderlust of road travel); Monteleone (a gentle music-box waltz paying tribute to a legendary luthier); Cleaning My Gun (typical Knopfler sardonic humour, and a very fine vocal performance); Get Lucky (here I just like the music, the storyline is so depressing despite its stated intent to look on the bright side). So why don’t I play this more often? I think it’s because I have to be in a strong mood to deal with the melancholy and sadness, especially in the second half of the album. Remembrance Day, with the children’s choir, gets me every time and when So Far From The Clyde gets going, I need a box of Kleenex. I mean, listen to this: “They had a last supper / the day of the beaching / She’s a dead ship sailing – skeleton crew …… They pull out her cables / and hack off her hatches / Too poor to be wasteful / with pity or time / They swarm on her carcass / with torches and axes / Like a whale on the bloody shoreline”. Who would know that you could feel sorry for a ship? Knopfler, clearly intent on driving the theme home, closes with Piper To The End, a heart-rending tribute to his uncle, killed in battle at the age of 20.
The accompanying DVD has some very interesting features: scenes from the actual photo-shoot in a suitably grungy and moody location, and in black-and-white to boot; footage of the band recording some of the tracks (the back-up vocals bit is hilarious); a tour of the incredible British Grove studio (Knopfler’s own, where he has lovingly assembled some amazing vintage recording equipment); and a highly technical look at the control room with Chuck Ainlay, the man behind the production magic. So, in summary, a great package featuring a gorgeous collection of musical vignettes but, oh so sad.
5.0 out of 5 stars
Nostalgic, poetic, lyrical, melodic, folky.
Reviewed in the United Kingdom 🇬🇧 on May 18, 2021
Get Lucky sees Mark Knopfler at his nostalgic, imaginative best. It is thoughtful “listening” music with hints of folk and history, not for bopping or dancing or going over the top to.
The musical balance is superb, and the more I play it the better it seems as I hear more subtlety, depth and detail in each song. I relax, close my eyes, hear the stories and see the pictures on the eyelids.
Excellent.
5.0 out of 5 stars
A truly brilliant album
Reviewed in the United Kingdom 🇬🇧 on October 8, 2009
I have had this album for a couple of weeks now and at first I wasn’t sure I’d like it as much as some of the previous albums but I’d say this is a definite grower. I’ve loved Mark’s music ever since Sultans of Swing and am totally amazed at how brilliant he is not only as a musician but also as a song writer and it’s been amazing too to see how his style has changed and developed over the years. I’m not going to give an in depth critique of each song like some of the other reviewers have but will say that obviously, I like some tracks better than others but I totally disagree with some who have said it’s a dirge. Melancholy and reflective in places maybe. However, I think that Monteleone is absolutely beautiful – the lyrics alone could be read as a poem in their own right. If you’ve ever liked MK’s music give it chance – I’m sure you’ll find something to love.
5.0 out of 5 stars
Knopfler never Marks time!
Reviewed in the United Kingdom 🇬🇧 on September 25, 2013
Mark Knopfler has demonstrated his brillance as a lyricist, composer guitarist and vocalist for so many years. His northern roots have increasingly been apparent with pipes and whistles and an amazing skill of composing a narrative about the unexpected.
Whilst emotion, lost and found love appear, but so does for instance, as on the first track of “Get Lucky” surprise, celebrating a build of delivery truck but in such a melodious and image rich style. Pipes bring in the introduction with an exciting and urgent swell then erodite lyrics pull the listener deeply in. The remainder of this CD pleased me equally as much. I would recommend this full heartedly as another success from this “Local Hero”.
5.0 out of 5 stars
Celtic Magic
Reviewed in the United Kingdom 🇬🇧 on July 25, 2012
I am pleasantly suprised by just how good this album is. It does remind me of Golden Heart with celtic roots but with a touch of unforced guitar riffs supplied by the famous Gibson. There are a couple of tracks that I believe shouldnt have been included as they just dont seem to fit the album in anyway that I can see. I wont say which tracks these are as of course you may indeed have no problem with them. They are easy to listen to but not for me. I will say that the best thing you can do if possible is to put your feet up and just listen with no interuptions and you will reep the benefit. A mix of celtic, bluesy, rock done better than anyone before, indeed a contender against Golden Heart and makes up for his past albums which have fallen flat. This is an example of just how good Mr Knopfler and indeed music can actually be. A welcome change from all the rubbish we are forced to listen to via radio and t.v. today. So to all fans of M.K. and felt as I did he was losing his touch – I am now eating humble pie. To those new to the man, I will say this – put the time in to his work because overall you get a true musician writing and playing his own music, which seems to be more and more of a rareity. I hope this helps.
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